The surprise twist in the new M. Night Shyamalan film is that the film is directed by M. Night Shyamalan, a fact that the movie — like the posters and commercials — won’t admit until after you’ve already sat through it. While at heart a Pinkett-Smith family bonding project, the…
There are times during the affecting tumult of What Maisie Knew when you may think, “At last, a first-rate American movie about what being a kid actually feels like!” And then there are times when, despite the scrupulousness of co-directors Scott McGehee and David Siegel’s adherence to the perspective of…
One of the most beguiling of the many stories all knotted up in Salman Rushdie’s brilliant, baggy, exhausting 1981 novel Midnight’s Children concerns a lovelorn doctor, his beautiful patient and that timeless exemplar of old-world prudishness: a sheet with a hole in it. The patient, Naseem, not yet of marriageable…
Stephanie Zacharek is the new chief film critic at the Village Voice. Alan Scherstuhl is the Voice’s film editor. Sometimes they gab about how the review-sausage gets made. To: Stephanie Zacharek From: Alan Scherstuhl Hi, Stephanie, welcome again to the Voice! Like you, I found myself worn out by Iron…
Has anyone ever been so perfectly cast as Matthew McConaughey in Dazed and Confused? Sculpted entirely of charisma and cheekbones yet still seedier than a stash of gym-locker pot, McConaughey’s radiant stoner exemplified high school promise gone bad. He looked like the little man on top of trophies, just horny,…
A likable hagiography as nuanced as a plaque at the Cooperstown Hall of Fame, Brian Helgeland’s Jackie Robinson bio 42 finds a politic solution to the challenge Quentin Tarantino faced last year with Django Unchained: how to craft a crowd-pleasing multiplex period piece whose villain is, essentially, White People. Helgeland…
What must Bruce Willis have felt when he discovered that his seven or so minutes of G.I. Joe: Retaliation screen time offer much more agreeable Bruce Willis-ness than the entirety of A Good Day to Die Hard? Or that his cameo, shot two years back and rich with quips and…
Like the blood that gushes forth from the elevators of the Overlook Hotel, brilliant/ridiculous theories of what Stanley Kubrick’s The Shining is really about have for years surged madly and memorably — especially online, where the Internet’s dead-ends, blind links and back-where-you-started arguments just might be another part of the…
Elisabeth Moss’s face is far from the only reason to savor Top of the Lake, Jane Campion’s smart, bracing, hugely enjoyable mystery rural noir Top of the Lake, which premieres on the Sundance Channel on Monday, March 18. But that pale-to-radiant instrument of hers—a mouth that suggests her characters might…
Steve Carell’s gift is for men who might drown in their own obliviousness. Like his Daily Show reporter, or The Office’s Michael Scott, his 40-year-old virgin lived in terror that someone might catch on to the fact that he knows nothing about subjects he purports to have mastered. When his…
Twenty minutes into the first full-length movie based on L. Frank Baum’s most beloved novel, a duck pukes into the face of Larry Semon, the star and director. Semon’s 1925 flop, titled The Wizard of Oz, opens and closes with a Geppetto-esque toymaker reading to his granddaughter from a well-loved…
Before anything else, here’s how dumb things get in A Good Day for Die Hard–Related Media Product, which is being sold as a bang-bang movie sequel so that nobody catches onto its true nature: a black-ops experiment testing the human faculty for discovering coherent patterns in unrelated shards of image…
Just a week or so after the Pentagon reversed its ban on allowing female soldiers into combat, here’s another breakthrough, of a sort: The funniest scenes in the confused and shaggy comedy Identity Thief are of Melissa McCarthy and Jason Bateman beating the hell out of each other. McCarthy —…
Please, for his own good, somebody clap Dustin Hoffman into a chastity belt. Based on what Al Pacino suffers in Stand Up Guys, and the identical humiliations visited up Robert De Niro in Little Fockers, it seems that Hollywood will not be satisfied until it has speared a hypodermic into…
The murder of the children should be the most disturbing thing. The crime-scene photos of three young boys killed in 1993 in West Memphis, Arkansas, are, of course, harrowing, as is footage of the parents shattered by the loss. But recent American life has made such scenes all too familiar…
Sadly, country songwriters stand as nearly the only entertainers in our popular culture who craft memorable art on the subject of marriage, the state in which just less than half of Americans spend the majority of their lives. A few years back, Brad Paisley, one of Nashville’s best, wrote and…
It’s dispiriting that a film about the romantic life of Franklin D. Roosevelt, who cultivated a small coterie of mistresses, should exhibit so little interest in what so engaged its hero: the women’s individual hearts and minds. Instead, Hyde Park on Hudson quickly introduces us (and FDR) to the president’s…
The first few minutes of Lincoln play out like a parody of the expectations of Steven Spielberg’s detractors. The Great Emancipator rests like a humble Solomon upon a hard wooden chair, surrounded by freely mixing black and white soldiers of that great war of his. One black soldier dares to…
Perhaps you’ve lost faith in movies about amusingly digressive criminals. Maybe you believe it’s no longer possible to be pleasurably jolted by inventive swearing, from-no-place head shots, and post-everything structural flourishes. Certainly you have no reason to expect blood-splattered poetry or throat-clearing laughter from yet another movie in which Los…
The story goes that while filming in Tunisia in the summer of 1980, Steven Spielberg avoided the dysentery that afflicted most of the cast and crew of Raiders of the Lost Ark by holing up in his hotel room with a suitcase full of SpaghettiOs. Like most studio-approved behind-the-scenes errata,…
The movie of choice this week for people who hold the beliefs that A) America is the strongest, best-est country that God ever virgin-birthed and B) that that nation somehow just isn’t strong enough to survive eight years of centrist Democratic leadership, Dinesh D’Souza’s 2016: Obama’s America actually does not…
