If you’re a person alive in this age, Ralph Fiennes has at some point probably made you hate him. As the Nazi Amon Goeth in 1993’s Schindler’s List, Fiennes embodied one of history’s great evils, somehow making being utterly detestable compelling. In Martin McDonagh’s riotous, under-regarded In Bruges, Fiennes spat…

The surprise in Grudge Match, the not-quite-a-comedy that pits Rocky Balboa against Raging Bull, isn’t that it has the chutzpah to posit a universe in which Sylvester Stallone and Robert DeNiro have, since the early ’80s, been equally matched rivals. The surprise is in how easily audiences will buy it…

Solemn as a funeral march, humorless as your junior high principal, as Japanese as a grocery-store California roll, Keanu Reeves’ let’s-mope-about-and-kill-ourselves samurai drama has exactly three things going for it. First, the cockeyed sensuality of Rinko Kikuchi as a spider-puking evil witch who can transform herself into a fox, a…

Elves snore, it turns out. Their maidens make teensy-peen jokes and pine for the hottest of dwarves. And Bilbo Baggins, so concerned about his doilies just three hours of screen time ago, now punches his sword right through the trachea of a goblin — and then looks rather proud of…

For all its nasty twists, the biggest shock in Spike Lee’s remake of Park Chan-wook’s Oldboy (opening November 27) hits in the movie’s first minutes — during the credits. “A Spike Lee Film,” a title card reads, a first for any of Lee’s features. Jungle Fever, He Got Game, Inside…

Besides its cast, a parade of Brit aces the likes of which we haven’t seen since the last episode of Wizard Boy Has a Sad, the quality that most distinguishes Mike Newell’s adaptation of the best-titled of all English novels is its healthy fullness. In the decades since David Lean’s…

It’s almost a relief that Ender’s Game has turned out to be a glum bore onscreen, a far-future cadets-in-space military drama whose pretensions to moral inquiry boil down to the guilt a kid may feel after stepping on an anthill. If the film had turned out grand, like the best…

The title All Is Lost promises despair, especially with Robert Redford looking so stolid and weathered and still-got-it golden on the poster. Could this near-silent, you-are-there survival story be another of Redford’s yawps of boomer gloom? Another complaint, like The Company You Keep, about the realization that the world we…

Being a sensible person, you’ve probably taken a liking to Benedict Cumberbatch, the actor, Dickensian beanpole and banana-fana name-game destroyer who has lately played everyone literate geeks adore: Sherlock, Smaug, Khan. And, as a sensible person, you probably were curious — even heartened — to hear that Cumberbatch would be…

“If they made a movie, Holden wouldn’t like it,” Martin Sheen opines deep into the new documentary Salinger. He’s speaking of the possibility of a film adaptation of The Catcher in the Rye, a disastrous idea that J.D. Salinger prevented in both life and death. Sheen, of course, could be…

Since it’s called Austenland, and since it’s a romantic comedy, you probably expect it to open with “It’s a truth universally acknowledged” and to wrap with one lovesick sap madly dashing after another, right up to an airport’s departure gates, even though both presumably have cell phones and could just…

Hey, Hollywood can still do romance! Ever since the marketeers worked out that the kiss kiss bang bang formula could be profitably split, with bang bang movies getting wide releases and the kiss kisses sold only to that slim niche demographic called “American women,” movie love stories had gotten frustratingly…

Despite the giddy, gory ridiculousness of Kick-Ass 2, this summer’s most violent yet least punishing comic-book movie, there’s a kernel of ugly human truth at the core of the Kick-Ass fantasy. In the first issue of Mark Millar and John Romita Jr.’s Kick-Ass comic, from 2008, a lonely high school…

With an offhand precision that suggests he might prove one of his generation’s major actors, Michael Cera lays bare two specific human weaknesses in writer-director Sebastián Silva’s altered-states/group dynamics road drama Crystal Fairy — weaknesses you’ll likely recognize from life rather than from other movies. The first is the pushy,…

Like first sex, writer-director Maggie Carey’s debut feature, The To Do List, is quick and messy, fitfully pleasurable, full of promise but not quite adept at getting everyone off. It’s an impossibly huge deal yet also a modest achievement, something we have to go through but that will no doubt…

Something like half the running time of the engaging new don’t-go-in-the-basement thriller The Conjuring is devoted to showing us characters proceeding slowly into the basement, or into the maws of basement-like places we know they shouldn’t go, often with just matches or a flashlight to guide them. Twice, deliciously, they’re…

Since it opens with a suicide bombing in downtown Tel Aviv, and since its mystery plot involves an attempt to track down a sheik whose public expectorations call for the slaughter of Israeli civilians, The Attack is most avowedly “about” terrorism. But that’s a subject, not the subject. The film,…

Surprising proof that Hollywood still can craft a memorable studio comedy, Roland Emmerich’s White House Down stands as a singular achievement in parody, its auteur’s intentions be damned. It’s not just a pitch-perfect attack on every risible plot point afflicting today’s all-exposition-and-explosions filmmaking, it’s also a mad liberal’s vision of…

Terrorizing children in their bedrooms remains the existential concern of the toothy blobs, hams and pom-pom-furred Wild Things that populate Monsters movies, many of whom look like gummy nothings long stuck to the bottom of Pixar’s junk drawer. Their very lives depend upon coaxing night-screams from human kids, a premise…

Sometimes, there’s just too damn much to say about a movie than can fit into any one review. (Even Stephanie Zacharek’s exhaustive, excellent one.) So, here’s more: Stephanie Zacharek, our lead film critic, and Film Editor Alan Scherstuhl hashing over all the portentous craziness in Zack Snyder’s Man of Steel…

From the peak of Anchorman to the nadir of Burt Wonderstone, the formula for studio comedies of the last 20 years has been simple: Dude acts like a dick for an hour, turns blandly sweet toward the end and then everyone on the DVD commentary can claim to have made…