An admirably complex tale of time travel, corporate espionage and high emotions you’ll just have to take everyone’s word on, Jacob Gentry’s science-fiction puzzler Synchronicity is so ambitious — and so canny, on occasion — that you might be willing to forgive its indie infelicities. The acting is iffy, especially…
You can knock his prankish dilettantism all you want, but James Franco — that actor/director/writer/boho curio — has this going for him: The not-bad short stories of his books Palo Alto and A California Childhood have now been adapted into two quite good films. Like Gia Coppola’s Palo Alto (2013),…
MTV’s The Shannara Chronicles is gorgeous and lunkheaded, gory and hilarious, sometimes awful and sometimes full of awe. It’s also quite welcome: Just as Terry Brooks tore the pompousness out of Tolkien with his pulpy, brick-thick Shannara novels, the series – executive produced by Jon Favreau – shows your Game…
Don’t let that title throw you. Joe Frank and Zachary Reed’s rambling neighborhood comedy Sweaty Betty isn’t dopey or sweaty, and I don’t recall meeting anyone in it named Betty. There is a 1,000-pound hog named Miss Charlotte, decked out in Washington Redskins gear, but that vision’s just one of…
One of our most enduring cinematic genres, horror is also among the most difficult to do right. This may sound obvious — countless attempts are made to scare moviegoers every year, whether in theaters or, increasingly, streaming online — but it’s brought into focus by the few that actually make…
As cinematic year 2015 reaches its end, the FOMO specter threatens to haunt us all. If you pored over the results of our film poll and felt aghast at how many apparently great movies you’ve yet to see, here at last is a chance to catch up without braving traffic. About…
What’s been missing for years in Hollywood’s adventure films? Verisimilitude. Correspondent with the rise of the computers, and the ability to show us any place that filmmakers can imagine, has been the fall of immersiveness — that sense that the actors are in a place you can’t go yourself rather…
Here’s to Quentin Tarantino’s cussed perversity. The Hateful Eight, his intimate suspenseful Western splatter-horror comedy, has been shot at great expense in the long-gone 70mm format, but the movie itself is set almost entirely in cramped interiors. He’s hired Ennio Morricone to score the thing, but don’t expect rousing new…
Here’s a challenge. Gather some friends, pour some drinks and announce to everyone the premise of Daddy’s Home, the new family comedy about dads competing to be pater superior. It won’t take long: Will Ferrell is a doting schlemiel of a stepdad to suburban moppets whose biological father, played by…
A while back, a friend expressed concern that her son, a 10-year-old, was watching too much My Little Pony. “It’s sweet,” she said, “but not what I’d choose.” I asked what she would prefer that he watch. “Well, his dad started him on that new Star Wars cartoon.” That cartoon…
Life is hard for the extravagantly wealthy lounging about in one of the world’s most beautiful hotels. Paolo Sorrentino’s latest, Youth, might seem easy to mock — here, after all, are Michael Caine and Harvey Keitel, playing a composer and a film director, moping in a Swiss spa about old…
Justin Kurzel’s is a Macbeth stripped of lit-class ponderousness, stage-bound declaiming, Ren Fest cosplay and prestige-film pomposity. It is the essence of this cruelest of plays, the blade unsheathed — and, as a blade would be after hacking through all these Scottish wars, its edge is blunt, rough, a thing…
The big breakthrough in Legend, the latest well-crafted studio throwback from writer-director Brian Helgeland (Payback, A Knight’s Tale, 42)? At long last, here’s one movie with two often incomprehensible Tom Hardy characters, sometimes muttering their Cockney swears at each other inside the same scene. Hardy plays twins, real-life gangsters who…
Marvel’s Jessica Jones is smart, surprising and occasionally terrifying, a human tale of trauma and healing in a superhero vein. Its first episodes have more (unexploitative) sex scenes than battles, more shrugs and eye rolls than mighty kapows. But it’s not the shock or novelty that gives it resonance. Jessica…
How funny, really, are dick pics? Millions of them must be snapped and shared each year, as inducement or harassment, celebration or shaming. Perhaps Harper’s Index could tell us the tonnage of coal mined each year to power the transmission of American crotches. So when a dick pic turns up…
Bryan Cranston parades through Trumbo, a wiki-pageant of shorthand history, like he’s a costumed kid playing Actor Bryan Cranston at a Disney park. As blacklisted screenwriter Dalton Trumbo, a man given to mannered diction, Cranston layers movieland falseness over the scraped-raw heart of his Breaking Bad triumph. Remember how you…
Here’s a sentence you didn’t expect to read today: There’s a recent Simpsons that’s entirely worth your time. Seriously. “Halloween of Horror,” the fourth episode of the series’ 27th season, is a rarity: a late-era Simpsons rich with feeling, sharp jokes and the sense that this family and their story…
Political drama has long been shaped by what we can call the conversion narrative. In a play like One Third of a Nation, one of the Living Newspaper extravaganzas mounted with New Deal funding by the Federal Theatre Project, an everyman Joe you just gotta root for tries to live…
First things first: Yes, Gaspar Noé’s arthouse sexbomb quite literally goes off in your face, with an ejaculation close-up 90 minutes in that might have you wiping off your 3-D glasses. You might think that’s an impressive provocation, until you recall that every twelve-year-old boy in America sees that same…
Yes, it’s 3-D computer animation, and yes, it shows us more of the face of Charlie Brown’s Little Red-Haired Girl than you ever thought you would see. But the news, for the most part, is good: The Peanuts Movie is much closer in spirit to Charles Schulz’s half-century comic-strip masterpiece…
The most effective scene in James Vanderbilt’s brisk, outraged Truth is one that will be familiar to anyone who has ever sat in a room where editors and reporters are breaking down an investigative story. The reporters — here, 60 Minutes researchers played by Dennis Quaid, Elisabeth Moss and Topher…
Sure, you can blame the aliens, the gophers, the monkeys and the fridge. But even without all those, 2008’s Indiana Jones and the Harrumphing of the Whatsit likely wouldn’t have worked. Its director, you see, no longer finds it edifying to dream up new ways to kill America’s historical enemies…
