Bill Mallonee

There are few epithets in the annals of music journalism more overused than "Dylanesque." Say it out loud and just try to suppress visions of denim, harmonica racks and a line of nasal-toned knockoffs stretching from Donovan to Ryan Adams and back again. Bill Mallonee has often provoked the "Dylanesque"...
Carbonatix Pre-Player Loader

Audio By Carbonatix

There are few epithets in the annals of music journalism more overused than “Dylanesque.” Say it out loud and just try to suppress visions of denim, harmonica racks and a line of nasal-toned knockoffs stretching from Donovan to Ryan Adams and back again.

Bill Mallonee has often provoked the “Dylanesque” moniker, too. But he’s one of a handful of writers that live up to—and occasionally transcend—the idea. The Virgina-born, Athens-groomed artist started in the Bard of Hibbing’s mold, writing trenchant confessional and narrative-driven songs in the late ’80s for his band, The Vigilantes of Love, incorporating elements of British Invasion and punk into his intense, probing lyricism. Paste Magazine pegged Mallonee at number 65 in their “100 Greatest Living Songwriters” issue, and his solo output in the last few years does little to contradict them.

Live, few performers can get as lost in a performance as Mallonee, who sweats and hollers and cajoles with tightly shut eyes, often holding his pick-hand up, straight as an exclamation point, before dropping to one knee and back again like a rock ‘n’ roll Jackie Chan. Highly recommended for fans of rambling, revelatory songcraft.

When news happens, Dallas Observer is there —
Your support strengthens our coverage.

We’re aiming to raise $30,000 by December 31, so we can continue covering what matters most to you. If the Dallas Observer matters to you, please take action and contribute today, so when news happens, our reporters can be there.

$30,000

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...