Wanted: Playwrights. Now’s the Time to Finish That Script

Have a hot idea for a play? Start typing. Deadlines are fast approaching for several local playwriting competitions and not a few national ones. Scripts as short as 10 minutes are wanted by some contests. Others offer large cash prizes for full-length plays. The secret to winning one of these?…

Spring Awakening Lets Young Talent Bloom at WaterTower Theatre

Theater Caps are bite-sized punch-packing capsule reviews by resident theater critic Elaine Liner. Use them as a reminder — or a teaser, if you procrastinate — of her full-length reviews in The Mixmaster’s weekly sister. To see the next generation of hot theater artists in Dallas, try to catch one…

Temperamentals Opens Door on Gay Rights

What would an Uptown Players production be without a naked man in it? Its core audience, gay middle-aged men who flock to Uptown’s gay-themed musicals and plays, seems to appreciate it. And really, who doesn’t? More nudes is good news. The actor in the altogether in The Temperamentals is Gregory…

At WaterTower Theatre, a Spring Awakening Not Quite Awake Enough.

For Spring Awakening to work its magic, it needs young performers who look hot, sing hotter and radiate sexuality with the heat of a thousand suns. At Addison’s WaterTower Theatre, where the first local production of the Tony-winning musical is now running, the temperature’s rising. It’s exciting to see this…

First Times Are Funny: Andy Franklin

We’re back here with another installment of our local comedy series, First Times Are Funny. This time around we’ve put local Andy Franklin on the hotseat — partly in anticipation of tonight’s Stand-Upish Evening with Franklin, Jude Sutton and Dante Martinez at the Dallas Comedy House, and partly because we…

Gliddy Gloop Gloopy, This Tour of Hair Is Kinda Goofy

Theater Caps are bite-sized punch-packing capsule reviews by resident theater critic Elaine Liner. Use them as a reminder — or a teaser, if you procrastinate — of her full-length reviews in The Mixmaster’s weekly sister. We expect nudity in Hair. That’s what made the “tribal love-rock musical” shocking in 1968…

Cooked Dane

Outdoor theater offers scant opportunity for subtlety, but Dallas Shakespeare’s current Hamlet, performed to audiences perched on parched grass at Samuell-Grand Amphitheatre, is overacted with such scorched-earth intensity, you worry it might spark a wildfire. From his first big speech as Hamlet — “O that this too too solid flesh…

In the Next Room, or the Vibrator Play Is all About The O-Face

Playwright Sarah Ruhl knows how to construct plays. Focus tightly on a topic — a crime, a scandal, some scurrilous bit of history. Then follow a Law & Order-style template of revelations and crises up to a semi-shocking finale. She does exactly this for In the Next Room, or the…

Shakespeare’s The Tempest Rides Waves of Words at Dallas Theater Center

Theater Caps are bite-sized punch-packing capsule reviews by resident theater critic Elaine Liner. Use them as a reminder — or a teaser, if you procrastinate — of her full-length reviews in The Mixmaster’s weekly sister. Every season Dallas Theater Center’s artistic director Kevin Moriarty finds a way to soup up…

DTC’s Tempest Offers Magical Misery Tour

Starting the fall theater season seeing Shakespeare is like being served a big dose of cod liver oil as an aperitif. The stuff is hard to swallow, but you know it’s supposed to be good for you. You just hope that what comes after is more enjoyable. Dallas Theater Center,…

Flip Orley Will Not Turn You Into a Chicken

We’ve been hypnotized and we’ve been to comedy shows, but we’ve never experienced both at one time. That’s what Flip Orley, comic hypnotist, is all about. Orley, who tours packed — like sold-out packed — clubs and other venues (including a corporate event here and there), takes a different approach…

On Tour At Winspear, Rock Musical Hair Still Hasn’t Gone Gray

The Age of Aquarius may have become the Age of Activia, but Hair, the anti-war “tribal-rock musical,” somehow stays young. The 44-year-old show opens Tuesday, September 20, for a two-week run at the Winspear Opera House. This production is the latest Broadway incarnation of Hair, directed by Diane Paulus (she…

Gypsy at Lyric Stage Bumps It With A Lot of Trumpets

Theater Caps are bite-sized punch-packing capsule reviews by resident theater critic Elaine Liner. Use them as a reminder — or a teaser, if you procrastinate — of her full-length reviews in The Mixmaster’s weekly sister. A few days before the opening of Gypsy at Lyric Stage, one of the co-stars…