Few literature students have escaped exposure to the works of T.S. Eliot. Although Eliot’s influence has waned somewhat, he represented, for the post-World War II American academic elite, a living wish-fulfillment fantasy of everything they thought a man of letters should be–Anglophilic to the extreme (he renounced his American citizenship…
thursday february 23 Valery Kuleshov: In retrospect, isn’t it strange that the former Soviet Union often made exceptions (albeit heavily guarded ones) for its most talented artists when the time came to export Russian influences throughout the rest of the world? That suggests there has always been, in many of…
Their names move across the computer screens of major league baseball offices, veiled in secrecy and controversy. Identities will not be revealed for weeks, even as they now begin to sever ties with employers and make dramatic adjustments in family life to become potential replacement players for Major League Baseball…
The story of Leni Riefenstahl’s rise from renowned professional dancer to beloved German movie star to perhaps the greatest woman filmmaker of all time is marked by one constant–her brash, archaic, even narcissistic belief in herself and her creative abilities. Her artistic achievements, specifically her film versions of the gargantuan…
About 10 minutes into Sam Raimi’s Western The Quick and the Dead, his nomadic, gunslinging heroine, Ellen (Sharon Stone), slouches down in a rickety chair on the front porch of a saloon in the middle of Redemption, a Southwestern town so desolate even the cacti look withered, and lets a…
There is perhaps no better place to film a Chekhov play, especially a postmodern adaptation of Uncle Vanya, than in an extravagantly distressed Broadway theater. The New Amsterdam theater on 42nd Street, home of the Ziegfeld Follies and an erstwhile porn house, is perfect for the part: dangerous and abandoned,…
Informed that his interviewer saw The Quick and the Dead the night before, Sam Raimi gets excited. “How full was the theater?” he asks. “Did they clap during the exciting parts? Did they go for popcorn during the quiet parts? Did everybody generally seem to like it?” He’s told that…
thursday february 16 15th Annual Fort Worth Home and Garden Show: In many ways, the paltry winter experienced by North Texas over the last few months has felt like a spring that won’t just come right out and reveal itself. Warm days, cool days, then more warm days–people who are…
First-time feature filmmaker David Frankel’s Miami Rhapsody is so fleet-footed, cheerful, and entertaining it’s tempting to dismiss it as just another piece of popcorn entertainment. But there’s clearly a certain craft–even art–to creating a motion picture that makes you feel this swoony, giddy, and grateful, and in that light, Frankel’s…
Anyone with even a passing interest in the culture of corporate America will enjoy Undermain Theatre’s ongoing production of Tiny Dimes. Playwright Peter Mattei, a founding member of Cucaracha Theatre in New York, has created an absurdist comedy that makes complete sense and none at all, a nonnarrative piece that…
Generally speaking, directors who try to make movies in which characters represent political or philosophical beliefs have a difficult time making those people feel authentic to movie audiences. One of two things usually happens: either the filmmaker reduces the characters to strident mouthpieces (David Mamet’s adaptation of his own play…
It’s rare that an independent film manages to survive and thrive outside the realm of major Hollywood distribution companies. Yet that’s exactly what has happened with Sankofa, a bold low-budget slave epic currently making its way across North America, city by city, drawing huge and enthusiastic crowds wherever it plays…
From the fertile mind of University of North Texas film teacher Justin Wyatt (who’s also the author of High Concept, a compelling analysis of Hollywood’s blockbuster mentality) comes one of the boldest and most provocative film festivals this city has seen in a while. Titled The Cinematic Body: A Film…
I’m really sick of talkin’ about sperm. I don’t wanna hear about it. I don’t wanna hear about people freezin’ sperm, savin’ sperm, bankin’ sperm, borrowin’ sperm, gettin’ sperm from their brother, donatin’ sperm, fightin’ custody battles over sperm, buyin’ sperm, sellin’ sperm, or otherwise doing anything with sperm except…
thursday february 9 Deborah Mathis: As strange as it seems, the normally indefatigable national press has been cowed by House blowhard Newt Gingrich’s claims that they are “a tool of the Democratic Party” (a charge leveled at professionals who, over the past two years, nailed Bill Clinton–sometimes fairly, sometimes hysterically–to…
SWEETWATER–The retiree from Alvin, Texas, turns off I-20 and maneuvers the gray Ford pickup down the gravel road toward the private hunting club. His door opens to reveal a shopping bag, a cowboy hat, and Styrofoam coffee cups with cold, wet grounds still in the bottom. There are guns and…
When I first noted that Kitchen Dog Theater’s current production, composed of two one-acts and called Women’s Voices, included the work of a man, I was a little baffled. I mean, if Kitchen Dog wanted to give the evening that kind of feminist–or at least feminine–weight, couldn’t it have found…
To Live, the latest historical melodrama from Chinese filmmaker Zhang Yimou, isn’t anything like the film I’d been led to anticipate–and that’s good. The trailers playing in art houses across the United States position it as a traditionally sentimental epic about a poor family buffeted by the winds of history;…
There’s nobody in American movies like Hong Kong superstar Chow Yun-Fat. Best known stateside as the stoic center of John Woo’s most dizzying action maelstroms (including The Killer and Hard-Boiled), Chow’s antiheroic presence is so alluring that he seems born to play such parts. (It’s been argued that Chow’s good…
Raucous, bawdy, sexy, and violent, Queen Margot is history as feverishly overwrought soap opera–history painted in tears, sweat, blood, and semen, with a very broad brush. In telling the tale of the title character, who survived a ghastly royal power struggle that pitted Catholic against Protestant and royal against royal…
I think I’m the last person in America who doesn’t give one flyin’ flip about what he eats. “Why are you drownin’ those pancakes in syrup?” Is this a question? This is not a question. Do I have to answer this? “I can’t believe you’re puttin’ butter on that.” Why…
thursday february 2 Video Art: The First 25 Years: Ever since portable video equipment became an affordable technology in the late ’60s, a growing number of artists have employed the medium to make personal statements in a way film had never been used. The key words for the first generation…
