thursday may 2 26th Annual Big D Charity Horse Show: There are those who bond with horses faster than Elizabeth Taylor could drop a violet tear in National Velvet. But you needn’t have much interpersonal equestrian experience to enjoy the 26th Annual Big D Charity Horse Show, which features four…
The scariest thing you’ll ever find in a flick is not a goo-faced, bug-eyed monster and it’s not Freddy Krueger or Jason or Leatherface and it’s not a bunch of skinheads with razor blades. The scariest thing you’ll find in a movie is the Psycho Hag. The Psycho Hag is…
Flinty-eyed realists–men and women to whom cant is a four-letter word–will tell you Broadway musicals are generally limp, lachrymose affairs long on surface sentiment and short on subtlety. And, of course, they will be right. Take Carnival, which opened at the Lyric Stage in Irving 35 years to the day…
Bob Schutze’s foray into the art business was almost grounded shortly after it got off the ground. In 1988, Schutze’s private gallery, Beaux Arts, which specializes in antique prints, was just 6 months old. That’s when he received a call from the owner of an Austin gallery who asked him…
Since his death in 1990, the late British author Roald Dahl has only strengthened his relationship with international cinema. Dahl, perhaps most famous in America as the husband who nursed Patricia Neal through crippling strokes and promptly left her, wrote about the world of adults with the same acrid wit…
Here’s news that could presage a disturbing trend at the movies: Two films opening in Dallas within days of each other both deal with nebbish murderers whose decisions to poison family members, friends, and enemies alike form the basis of comedy. But The Last Supper is merely a peculiarly unfunny…
thursday april 25 C.J. Crit and Literature on Film: The Writer’s Garret and the McKinney Avenue Contemporary join forces for one hot, cheap night of entertainment at the MAC. First up is poet-songstress-monologist C.J. Crit, who performs surgery on sex roles and other social absurdities with a finely honed spray…
Mardis Note: The 26th Annual USA Film Festival runs Thursday, April 18 through Thursday, April 25. All screenings are at the AMC Glen Lakes Theatre, 9450 North Central Expressway at Walnut Hill Lane. All tickets, available exclusively through Ticketmaster, are $6.50, except for opening-night tickets to The Grass Harp, which…
There is fact, and there is cinema. If the two happen to meet, you’d damned sure better guarantee the filmmaker understands the emotional essence of the story. That way, the documented events will be portrayed with an effective urgency. Stonewall purports to take the events of June 1969 and personalize…
Coffee houses have made a comeback. Could Jean-Paul Sartre be far behind? The Nobel prize-winning author, if not directly responsible for the reflowering of Left Bank cafes in postwar Paris, probably provided their paint-smeared patrons with more conversational grist than any other writer. His varied contributions to philosophy’s big “E”–existentialism–have…
Film history is strewn with the corpses of underappreciated artists and overappreciated craftsmen. This is not a point over which to become sanguine; rather, it is a simple fact of cinematic life, predictable as the tides. What is less predictable, however, is which directors will fall into which category–and when…
Before the USA Film Festival’s arrival last year–its Silver Anniversary–the pre-festival buzz was a mix of hype, anticipation, and dread. Its young, newly anointed artistic director, Alonso Duralde, had held the post for only four months, didn’t have a shred of experience, and was forced to start from scratch in…
This year, the USA Film Festival introduces a new series called “Cinema on Film” that peeks at the glistening guts of filmmaking as the medium turns 100. But unfortunately, ticket buyers can’t savor the two best documentaries in this series–profiles that scrape away the paunchy, narcissistic hide of two filmmakers…
Nightjohn, the new film by acclaimed director Charles Burnett, recounts the mythical journeys of an escaped slave named John (Carl Lumbly) who returns to bondage after having learned to read. With his intellect freed by literacy, he undertakes a mission–to liberate others from the bondage of ignorance. He envisions that…
The standard definition of “documentary” seems inadequate to describe Mark Rappaport’s intriguing new nonfiction film, From the Journals of Jean Seberg. It doesn’t subscribe to the usual documentary conventions, coming closer in style and structure to performance art. Although it features clips from Seberg’s films, it also has plenty of…
In Rebel Without a Cause, James Dean, when asked by an adult what he’s rebelling against, spits back, “Whaddaya got?” And with those words, Dean became a voice for his day’s youth culture, an aimless teen looking for some tangible image to which he could cling to justify the emotions…
thursday april 18 The Hunchback of Notre Dame: Get a jump on the sure-to-be-insipid animated Disney version of The Hunchback of Notre Dame, which will be released this June, with a surefire unpredictable evening. This 1923 film version was the first cinematic take on the classic and remains (Charles Laughton’s…
There are certain names on a video box that just cry out: “Rent me! Rent me! Rent me!” I guess for some people it’s Mira “Thank You, Daddy” Sorvino, but for me there’s nothing like a good Brigitte Nielsen video. Will she have hair? What color will it be? Will…
Congratulate artistic director Gretchen Swen and her Extra Virgin Performance Cooperative, which turns 3 years old this month. Toast her not only for surviving this long in a local theater scene paralyzed by crushing audience indifference, but also for refusing to trade her integrity in the bargain. Case in point:…
When a Los Angeles publicist for a major Hollywood studio asks, “Which Kid do you want to interview?” the choice is tough. Two days apart, two different staffers in Paramount’s L.A. publicity office called with offers to chat with any of the five Kids in the Hall about the feature…
The original screen version of Jane Eyre, released in 1944–with Joan Fontaine and Orson Welles, both at the height of their powers–is one of the minor masterpieces of the studio system’s Golden Age. Like all the best Victorian pictures of the time (The Heiress, Gaslight, and others) the entire production…
thursday april 11 Guarded Territories: The author of the new play Guarded Territories, which is being presented by the Beardsley Living Theatre in its North Texas premiere, was born in Canada, educated in the United Kingdom (where he studied scriptwriting), and currently lives in Fort Worth. Yet it’s not a…
