Scene Stealers

The few pieces of furniture onstage in a couple of new productions–The Good Thief at Kitchen Dog Theater and Love Letters at the Stone Cottage in Addison–wouldn’t crowd a corner of the average den. Couple of chairs. Couple of tables. Glass of water. Glass of beer. The minimalism is intentional…

Dawson’s Crossing

This is not how he’s supposed to talk. These are not things he’s supposed to say. These are not things he’s supposed to do. Not the Teen People poster boy, the YM golden child. Not the WB heartthrob. But there he is, anyway, snorting, guzzling, toking, dealing, stumbling, grinding, moaning,…

Quick Click

Capture the Moment: The Pulitzer Prize Photographs within the Sixth Floor Museum at Dealey Plaza is a great display of memorable images and, by its very nature, it would have to be. It represents the best in photojournalism from 1941, the year of the first award, to the present. If…

Nickel and Dime It

So, you wanna go to a movie? Every time I hear that question I have to do a mental balancing of the bank account, decide if I should risk smuggling in snacks and dig for the student ID. Generally, the basic movie outing hits the $15 or $20 mark, and…

Laughter Is the Best Weapon

Rare is a documentary about a movie as vital and essential as its subject; Lionel Chetwynd’s Darkness at High Noon: The Carl Foreman Documents, an exploration of Hollywood’s shrinking beneath the shadow of the House Un-American Activities Committee, springs to mind, but it’s the aberration rather than the norm. So,…

Fair Fare

Though we are generally the urban type–hip boutiques, black clothing, art films–nothing makes us itch to wear boots and sculpt butter like the State Fair of Texas. The giant festival runs for 24 days and expects to host more than 3 million visitors from across Texas and the United States…

The South Falls, Again

So there’s no confusion, the star of Sweet Home Alabama is Reese Witherspoon, who graces the film’s poster in full-body pout and appears on the press kit in close-up mug-shot smirk; any closer, and we’d shoot up her nostrils and exit through her pores. Of course, there’s a great deal…

Homies

Chris Smith’s brief but thoroughly entertaining Home Movie carries on a grand tradition of American documentary–seeking out the eccentrics and contrarians among us. In the space of an hour Smith provides glimpses of five U.S. houses and their owners, and–thank goodness–his whirlwind tour is less suited to Architectural Digest than…

Type Caste

Lee Holloway (Maggie Gyllenhaal) is released from a mental institution the day of her older sister’s wedding. One afternoon with her dysfunctional family and she’s ready for rehab again. No such luck, however, so instead Lee turns–or returns–to her favorite pastime: self-mutilation. Based on a short story by Mary Gaitskill…

What Lies Beneath

Many a marriage must feel exactly like Winnie’s predicament in Samuel Beckett’s Happy Days, now being forcefully and hilariously performed at Kitchen Dog Theater. There good wife Winnie (played by Shelley Tharp-Payton) stands in the first act, buried up to her waist in a mound of earth. Husband Willie (David…

Dead On

It is a decade ago, and Neil Burger has trekked from New York to the small Texas town of Fredericksburg, where Admiral Chester Nimitz was born, where heroes gather at the National Museum of the Pacific War to reminisce and mourn, where tourists collect to pay their dues to the…

Almost? Not Even.

In The Banger Sisters Goldie Hawn plays Suzette, an aging groupie too stuck in a gloriously seedy past to move into the future. It’s 2002, yet she acts as though it’s 1969 and nothing’s changed–not the Sunset Strip’s Whisky A Go-Go, where she still tends bar behind sunglasses and illicit…

Triumph of the Wilco

There’s no denying that U2 is awesome, nor that Phil Joanou is a snappy director, but the charming awkwardness of Sam Jones’ 16mm black-and-white rockumentary I Am Trying to Break Your Heart makes one wanna murmur, “Rattle on? Humbug!” at the Irish Grammy-grabbers’ old-school cinematic self-celebration. As we turn our…

Burr, Not Chilly

Among the more preposterous rumors spread by Harry Knowles, whose Ain’t It Cool News movie-biz-gossip Web site garners undue attention from studios too craven to do their own thinking, was one from year’s beginning: Terrence Malick, Knowles “reported,” was working on an adaptation of The Catcher in the Rye for…

Coward’s Quest

Although his name sounds like an inventory notebook for candy bars, Heath Ledger is presently overcoming this confusion–as well as the plight of the pretty boy–to become one of contemporary cinema’s more vital actors. In The Four Feathers–as in The Patriot, A Knight’s Tale and Monster’s Ball–Ledger once again plays…

Love Is a Battlefield

Muccino (But Forever in My Mind) pays his respects to Fellini (Juliet of the Spirits on television) and Tarantino (a Reservoir Dogs poster), then straddles with aplomb the intergenerational niche he’s carved between. It’s a mostly engaging approach, as confused Gen-Xer Carlo (Stefano Accorsi) struggles with his feelings for his…

Larger Than Life

Originally meant to be called Springtime for Hitler, Mel Brooks’ first feature as writer-director was only a moderate success when released in 1968. Now, it is legendary and for good reason. (It has, of course, also spawned a hugely successful musical.) This story of a manic, larger-than-life Broadway producer (Zero…

Choice Documentary

He’s one of Oprah’s Angels and an Olympic champ, a published author (of his own autobiography, Harnessing Anger) and, soon enough, the subject of a Walt Disney-produced feature based on his life’s story (cf. The Rookie, Remember the Titans). Till then, here’s Chris Dalrymple’s engaging (if, at a mere 75…

Going Ballistic

The son of a fascistic intelligence agency boss (Gregg Henry) is kidnapped by Sever (Lucy Liu), a ruthless, mysteriously hooded killing machine. The only one who can retrieve the boy is Ecks (Antonio Banderas), a former FBI operative who has been on the skids for seven years, ever since his…

Mice Try

Start with Steinbeck: “They had walked in single file down the path, and even in the open one stayed behind the other…The first man was small and quick, dark of face, with restless eyes and sharp, strong features…Behind him walked his opposite, a huge man, shapeless of face, with large,…

Fast Girl

It’s hard to dislike Julie Speed, the self-taught surrealist whose macabre oil-on-board visions and bizarre collages currently fill the front galleries at Pillsbury and Peters Fine Art. And doubly so for me, for Speed is everything that a good painter should be. She’s talented, and smart, and irreverent, and figurative,…

Free Briefs

If you are annoyed with epic films that tax the limits of your bladder, you’ll be, uh, relieved to hear that it will probably take you longer to read this newspaper than to see any of the films featured at D-Studios’ Long on Shorts film festival. All the films are…