Arts & Culture

Ben Wheatley and Amy Jump’s microbudget black-and-white English Civil War mushroom-trip movie A Field in England (2013) squeezed a tense and bizarre story from just a few dudes wandering around in a field. The married couple and filmmaking team — Wheatley as director and Jump as writer — previously made…

Richard Bridgland was given an impossible task: recreate 1970s Hollywood for Shane Black’s buddy conspiracy thriller The Nice Guys … in Atlanta. As a production designer, Bridgland’s had to make the Czech Republic look like 1930s rural North Carolina (Serena), New Orleans look like West Virginia (American Ultra) and a…

If it had come out 20 years ago, when its creator was Hollywood’s best-paid screenwriter, Shane Black’s The Nice Guys might have stood, for some, as more proof that the studios had lost their way. So much money lavished on bloody buddy formula, on two-fisted archetypes cracking a case, some…

Let’s break the bad news this way. Maria Bamford’s new Netflix series isn’t a disaster. It’s sometimes funny — it’s got comic genius Maria Bamford in almost every scene! — but only its finest moments bear the stamp of sensibility. Too often, this fitful, clamorous show feels Bamford-flavored rather than…

The main attraction in the engaging, largely predictable chess drama The Dark Horse is the gripping lead performance by Cliff Curtis, a part-Maori actor from New Zealand who has spent more than two decades doing notable character parts in big films. You’ll likely recognize his face: His look suggests, at…

New Zealand’s Cliff Curtis has been stealing scenes for years now, so it’s nice to see him playing a bona-fide lead in the new chess drama The Dark Horse. Based on the life of Genesis Potini, a bipolar Maori chess champion, the film follows a coach and a group of…

Never one to betray the courage of his convictions, Luca Guadagnino excels at the unrepentantly grandiose and ludicrous. The title alone of his previous narrative feature, I Am Love (2009), signaled operatic sweep and loony sincerity, qualities further exalted by the film’s visual ravishments and seductive voluptuousness. The Italian director’s…

In his archly empathetic comedies, Whit Stillman has long chronicled the uncertain ways in which young people of privilege launch themselves into worlds too in decline to offer them much. The debutante-ball life of Metropolitan or the nightclub and publishing circles of The Last Days of Disco are already dying before…

At long last, Whit Stillman has adapted a Jane Austen book. To be sure, he has touched on her work numerous times — particularly in his 1990 directorial debut Metropolitan, in which an argument about Mansfield Park gave us the immortal line “I don’t read novels. I prefer good literary…

As generic and impersonal as a new credit-card offer, Jodie Foster’s Money Monster is the latest big-studio production to try to cash in on populist outrage over Wall Street abuses and New Gilded Age inequality. There’s a lot of excitable talk about algorithms (or “algos”), the overuse of the term…

In Neighbors 2: Sorority Rising, the sequel to 2014’s old-people-vs.-frat-brothers comedy, Zac Efron takes off his shirt in nearly every scene he’s in. It’s a sight to behold — again and again and again, but a calculated effort, like most of this film, to appeal to the ladies. As surprising…

There’s a scene during the first half of Bryan Singer’s X-Men: Apocalypse that is so emotionally resonant, so well-put-together and so quiet that you might briefly forget you’re watching a superhero film. It involves a raid by some Polish officers in the remote forest where Erik Lehnsherr, aka Magneto (Michael…