Tue 5/30 It’s hard to be ethereal and industrial at the same time, but Roni Horn’s exhibition at the Nasher Sculpture Center, 2001 Flora St., accomplishes exactly that. Her massive, heavy glass sculptures could double as some sort of construction equipment – until you get up close and realize the…
Perhaps Wonder Woman’s greatest superpower is enduring for the past 75 years as a wildly unstable signifier. Director Patty Jenkins’ Wonder Woman, starring Gal Gadot in the title role, further adds to this complicated, contradictory cluster of signs and symbols. Forged from deeply feminist sympathies, the character debuted in All…
In 2015, House of Cards’ fourth season had President Francis Underwood (Kevin Spacey) confessing a murder to his secretary of state, ICO (the series’ fictional ISIS) beheading a guy on live TV, lone journalist Tom Hammerschmidt (Boris McGiver) dogging the president with corruption charges, data scientist Aidan MacAllan (Damian Young)…
Aaron Zilbermann was fresh out of college and teaching middle school in one of the worst neighborhoods in Oakland, Calif., when one of his sixth-grade students was shot and killed in front of the school. As the dying 13-year-old crawled in front of a crowd of children looking on, the…
When Dallas film commissioner Janis Burklund left her office Tuesday, she was “90 percent sure” that 20th Century Fox would stay in Dallas to shoot its new Marvel Comics series The Gifted later this summer, she says. By Wednesday morning, that percentage dropped to zero. The team behind the dramatic…
Bill “Earl” Ray had one major goal upon taking the reins of Jubilee Theatre in early 2016: cut the theater’s deficit. Jubilee is North Texas’ longest-running African-American theater and was forced to replace its fourth artistic director since the death of its co-founder, Rudy Eastman, in 2005. After Eastman’s death,…
Baywatch kinda baffled me. This R-rated comedy adaptation of the cheesy but sincere beach-set action series — which somehow became a worldwide phenomenon in the 1990s — is a movie that should be as enjoyably ridiculous as its source material. In some instances, it is. Director Seth Gordon (Horrible Bosses)…
At the end of many movies, there’s a blooper reel of goofy mistakes by the actors, played up for the rest of the cast and crew. Patrick Read Johnson, the director of films such as Spaced Invaders and Baby’s Day Out, says that if his autographical biopic, 5-25-77, had a blooper…
For a man known for deep pockets and persuasiveness, Jerry Jones continues to get outbid. On Sept. 16, Saul “Canelo” Alvarez will face Gennady Golovkin in the biggest and most important fight in boxing. And once again — as with earlier major fights — Jones may try to pry it…
First Anniversary Celebration Amsterdam Falafelshop 2651 Commerce St. 4-7 p.m. Friday Free When life presents certain opportunities — a dream job, capuchin babysitting, dollar falafel bowls — you take them without question. To mark the first year of business at its Deep Ellum location, Amsterdam Falafelshop is throwing a party…
In 2008, the National Academy of Sciences saw an opening for outreach: Get real science in the movies. And by November of that year, it had begun the Science and Entertainment Exchange, which offered a way for Hollywood to link up with scientists to advise and consult on projects. Dr…
“Oh my gosh, it has been so crazy! An emotional rollercoaster for me,” says painter Matthew Brinston over the phone at 10 on Tuesday night. Over the past whirlwind week, he’s been putting together a redo of his joint art show with his wife, Marie Boone, after their original show…
Katherine Bernhardt Modern Art Museum of Fort Worth 3200 Darnell St., Fort Worth Ongoing through July 9 By incorporating graffiti elements into her vibrant and youthful paintings, which are heavy on sketched outlines and spray paint, artist Katherine Bernhardt is also coating them in the defiant attitude of a graffiti…
In the run-up to this year’s festival, Bong Joon-ho’s Okja was one of the most mysterious titles in the Official Selection lineup. Now that people have seen it, Okja has turned out to be…one of the most mysterious titles in the Official Selection lineup. What is it, exactly? A children’s…
“I can’t ensure I will not be disappeared in the future,” Joshua Wong says, deep into Joshua: Teenager vs. Superpower, Joe Piscatella’s rousing, terrifying thriller of a documentary. He says it a little distractedly, as though his own life is an afterthought when considered against the scope of his movement…
Where are the goddamned roles for Diane Lane? Since her career launched, with a starring role as a precocious 13-year-old American girl in Paris in 1979’s A Little Romance, Lane seems to have confounded casting directors: Is she the button-nosed embodiment of joie de vivre or the anarchist post-punk tempest…
Last year’s Cannes Festival seemed to be all about the past, trauma, and the persistence of memory. It’s too early in this year’s festival to suss out any broad themes, but the one-two punch of Todd Haynes’s Wonderstruck and Andrey Zvyagintsev’s Loveless, the first two Official Competition titles to screen,…
“I don’t give a shit what you do here.” That’s what Jeffrey Schmidt, newly appointed artistic director of Dallas’ longtime uptown staple Theatre Three, said to PrismCo, the young, movement-based theater that will produce a new take on King Lear this fall. Schmidt is giving full license to playwrights and…
Baby boomers love Julianne and Derek Hough. Old women especially. Their old-man husbands are just there because their wives forced them out of the house to see two blond-haired, blue-eyed siblings tango with each other. But the men aren’t too upset because they love Julianne. But the women really love…
The tagline for David Lynch’s Inland Empire (2006), which he has avowed is his final film, is a four-word fragment: “a woman in trouble.” However simple, the phrase hypnotically evokes the sinister, insoluble mysteries that have been at the core of many of his ten features and especially in Twin…
It might be surprising to realize that David Lynch has only ever made one period piece: The Elephant Man (1980), set in the Victorian era. The rest of the director’s films, save for his 1984 sci-fi disaster Dune, take place in what presumably is the here and now. Or, more…
Yes, dead men tell no tales — but neither, really, do the Pirates of the Caribbean movies. Rather than stories, the series, of which this 2017 entry is the fifth, offers an unpalatable mix of mincing slapstick, rote derring-do, ponderous CGI, whiskery sea-chanty mysticism, and dutiful action sequences whose only…
