The program notes for Absurd Person Singular, the latest show by New Theatre Company, are ominous, and they seem to confirm rumors that’ve been circulating since before Bruce Coleman resigned as New Theatre artistic director to take a staff position at Theatre Three. It appears that after seven seasons, new…
They’re not going to make it, judging from a quick glance at the clock and the degree of difficulty the dozen or so staff members at Florence Art Gallery are having. One of the gallery’s harried staffers stands at the wall phone, alternately talking, hanging up, and answering the next…
Commerce gets the cash It was slim pickins in the cash-awards category for the hometown artists, who will instead have to settle for getting their work into the McKinney Avenue Contemporary’s “Juried Exhibition of Contemporary Texas Art.” And that’s no small feat, even though good exposure somehow pales in comparison…
“The spectre is known at all the country firesides by the name of the Headless Horseman of Sleepy Hollow,” writes Washington Irving in his original fantasy. Thanks in large part to the silly, watered-down fun of the animated Disney version, the Horseman and his victim, the gangling and gallant Ichabod…
Poor old MGM — the once-golden studio that has been battered and abused by ever-changing ownership and management for nearly three decades — still has one sure-shot franchise among its assets: the James Bond series, whose longevity is astounding. If nothing else, the series’ overseas popularity keeps the films profitable…
Be forewarned: In the continuing quest to get people to pay attention to their films by any means necessary, the marketing wizards at Artisan Entertainment have been misrepresenting Felicia’s Journey to an even greater extent than they did The Minus Man. No doubt hoping to attract a young male demographic,…
There’s a turning point when Felicia’s Journey becomes a completely different movie from the one you’ve been watching, and if you’re unfamiliar with William Trevor’s 1994 novel upon which the film is based, it makes your back stiffen with alarm. It is, satisfyingly, a very Atom Egoyan moment: The film…
The first time I ever heard Georgia O’Keeffe disparaged, I was shocked: As recently as 1996, I was convinced, in the rote Southwestern tradition, that O’Keeffe was our region’s artistic grande dame. But as Aussie-cum-Time magazine art critic Robert Hughes put it in his book and PBS series American Visions,…
Improv is for daredevil comedians. Getting up on stage without pre-written jokes is like walking the tight rope without a safety net — or a rope. And using audience suggestions to build jokes on the spot is like letting someone else pack your parachute — someone who has never skydived…
“Yesterday I wasn’t even sure God existed,” laments Bethany (Linda Fiorentino), the reluctant yet divinely touched heroine of Kevin Smith’s ambitious new film, Dogma. “Now I’m up to my ass in Christian mythology.” As it turns out, so are we. Strutting to a spiritually snappy groove not observed in mainstream…
Had things worked out the way writer-director Kevin Smith planned, Matt Damon would not have appeared in Dogma, much less starred in it. The role of Loki — an avenging angel who, along with fellow fallen angel Bartleby, discovers a way to escape an eternity of exile in Wisconsin –…
Some days, when he’s not making movies, peddling comic books, or fighting denunciations from the Catholic League, Kevin Smith wonders when the time will come to quit the biz. He’s spoken in the past of his admiration for Spike Lee’s career, of the wily Brooklynite’s ability to make all kinds…
Susan Sarandon is one of the screen’s most gifted actresses, a fiercely intelligent artist who invests her roles with depth, compassion, wit, and humor. She has the ability to elevate even mediocre material, taking a potentially schmaltzy part, as in Stepmom, and making it totally believable. In her best films…
The world’s demand for minimally talented 30-year-old high school dropouts who believe they’re great poets or great musicians or great movie directors isn’t going to catch up with the supply anytime soon. That won’t keep the strivers from striving, of course, nor will it snuff out their dreams. Case in…
Back in the 1940s, just as the cynical tough guys Cagney and Bogart created were beginning to show signs of iconographic wear and tear, a newer brand of antihero arrived in the form of John Garfield. Better-looking and softer spoken and more articulate than his predecessors, he embodied men every…
Luc Besson — director of La Femme Nikita, The Professional, and The Fifth Element — is not the first name that would leap to mind to helm a biopic of Joan of Arc. Sure, he’s French, and sure, most of his films have a woman or girl as protagonist or…
Actor Frank Whaley has appeared in more than 30 movies, including Swimming With Sharks and Pulp Fiction, but none of them cuts as close to the bone as Whaley’s debut in the writer-director ranks, Joe the King. Set in the ’70s and carefully described by its maker as “loosely autobiographical,”…
Pegasus Theatre brings us Eric Coble’s comedy with a few of the company’s patented missteps — comic styles that jar and occasionally grate when blended onstage — intact. But the script is so sturdy and compassionate, and the best performances are so filled with a variety of pleasurable little moments,…
I know I’m not the only critic in Dallas who was startled by the announcement that Kitchen Dog artistic director Dan Day had chosen Chris Carlos to play the title role in Othello. Carlos is one of the most charismatic performers working on our stages, a fellow who radiates good…
On the political side of the Dallas art scene, nothing in years has stirred more muttering expectation than Talley Dunn’s departure from the venerable Gerald Peters Gallery and the subsequent opening of her own venue not more than five miles away. The young Dunn’s name had become synonymous with Peters’…
Another thing coming Jeff Krulik thinks Texas is ready for Heavy Metal Parking Lot, his homage to the passion of Judas Priest fans in the late 1980s, which will be screened at a Good/Bad Art Collective short-art-film event in Denton on November 19. “It did really well at the Austin…
Michael Cain moved back to the metroplex in October 1998 for one reason: to tend to his ailing father, who had been diagnosed with cancer. All at once, he gave up a promising film career in Los Angeles — he had done everything from working as location manager on Carl…
