The air of danger that surrounds Catherine Breillat’s Fat Girl (À Ma Soeur) never lets up, which is unusual for a film that doesn’t mean to be a thriller. Rather, it’s a merciless look at adolescent insecurity, the mixed signals of emerging desire and the ruthlessness of carnal gamesmanship that,…
There is nothing terribly wrong with Kevin Reynolds’ The Count of Monte Cristo, which the Internet Movie Database lists as the 18th remake of Alexandre Dumas’ tale of innocence betrayed and avenged. It is neither a drag nor a gas; it neither betrays its source material nor adheres too slavishly…
Australian director Ray Lawrence (best known here for the quirky 1985 comedy Bliss) provides some high-toned soap opera nicely flavored with a touch of suspense and some well-timed jolts of humor. Playwright Andrew Bovell’s busy, busy screenplay is crammed with philandering police detectives, grief-stricken psychoanalysts, traumatized gay men, gloomy husbands…
Miguel Piñero was poet, playwright and actor–and thief, liar and junkie. He was in Sing Sing by his early 20s, the iconic leader of New York’s Puerto Rican artistic movement by 30, a dead junkie by 40; yet the causes for Piñero’s life trajectory remain largely unanswerable. Leon Ichaso’s new…
Tricky thing, children’s theater. It must capture the attention of little ‘uns whose attention spans are damaged by hours of Gameboys and Power Puff Girls and at the same time entertain grown-ups reluctant to turn off their cell phones for the sake of a cultural outing with the kiddos. African…
Author and radio host Sarah Vowell has been accused of being smart and a smart-ass, a curmudgeon hiding behind a pen, a radio mike and a sweet face. But, despite her often-sarcastic tone, people who hear or read her work don’t just like it. They like her. She’s the friend…
Twyla Tharp is neither excited nor exhausted, she says, as she prepares to bring her rebirthed Twyla Tharp Dance to dance-legend-starved Dallas in the middle of a 25-city international tour. “I’m pleased with the dancers and pleased that audiences are responding,” Tharp says without much enthusiasm, calling to mind her…
Just in time to take our tired minds off the twin terrors of Osama and Enron comes The Mothman Prophecies, an enjoyable, if utterly stupid, upscale entry in the old Amityville Horror genre. (That is, a horror film allegedly based on spooky and inexplicable real-life events.) The fashionable sheen is…
Talk long enough with any television exec over 55, and sooner or later he’ll get around to mentioning the La Brea Tar Pits, that enormous shimmering stinkhole in Los Angeles where the liquefied remains of some 660 species of organisms still burble. These old-timers, with skin light brown and pockets…
Ridley Scott’s Black Hawk Down, based on reporter Mark Bowden’s factual account of a 1993 U.S. Army operation gone dreadfully awry in Somalia, doesn’t just kick your ass. It pummels your entire body; it leaves you trembling. Once the premise and setting are established, this brutal combat adventure doesn’t catch…
It would be easy, and tempting, to hail Kandahar as a masterpiece without even seeing it: It’s a foreign film, it takes on social issues, it’s directed by Iranian master Mohsen Makhmalbaf, it speaks to the causes of our war on terror and first hit on U.S. shores right as…
It should be so easy to hate this man sitting on a couch in a high-priced hotel suite, this man sharing his bottle of Evian. He is, after all, a demon dressed head to toe (or tail?) in slate gray, the Satan of Cinema. Attacking him has long been regular…
Call me conventional, call me coarse, call me crazy, but I prefer my drama, oh, I don’t know, dramatic. Give me a plot with a narrative structure that makes me eager to discover what happens next. Give me characters that are as clever as they are round, who search for…
Imagine this: Actors perform a comic space opera that spans the galaxies, featuring a lone hero battling futuristic evil threatening to undo the galaxy. There are no blue-screen or computer-generated special effects. In fact, apart from cobbled-together sound effects, there are no special effects. There’s just you and the actors…
Julia Roberts has been called the most powerful woman in Hollywood, one of the greatest actors of our time and America’s Sweetheart. Her power is evident: She can make mediocre movies like The Mexican have good openings, she can give a silly speech at the Oscars and look “sincere” and…
Who would have guessed that 31 years after M*A*S*H, the film that made Robert Altman’s reputation, he still would be turning out movies as good as his latest release, Gosford Park? Full of the director’s usual energy, powered by the sense of controlled chaos that marks all of his ensemble…
Attended by a rather sexy air of intrigue, the hit French film Brotherhood of the Wolf (Le Pacte des Loups) arrives upon our shores, and, refreshingly, it’s left up to us to figure out just what the hell it is. Monster movie? Costume drama? Martial-arts extravaganza? To say the least,…
Cate Blanchett can do no wrong, but even she can’t save Charlotte Gray, a World War II drama that never rises above the level of a 1950s-era adolescent romance novel. The Australian-born actress, who should have won an Academy Award for her performance in 1998’s Elizabeth, plays the titular character,…
Bangkok Dangerous, by twin brothers Danny and Oxide Pang, is an aggressively commercial genre piece that, like some recent Korean releases, has been clearly influenced by the Asian gangster genre once dominated by the now-ailing Hong Kong industry. And if the Pang brothers’ goal is to demonstrate to the world…
And so, adieu to 2001. The critic is older and crankier, a bit more gray but essentially the same, still given to muttering about “standards” and premature curmudgeonhood. The world, on the other hand, seems to have changed. We are embarking on a new century, finally, by the calendar and…
The Dallas Museum of Art’s new exhibit, European Masterworks, The Foundation for the Arts Collection at the Dallas Museum of Art, contains more than 100 works produced between 1700 and 1950 by Europe’s great masters. These paintings, sculptures and works on paper by artists such as Picasso, Matisse, Renoir, Rodin…
Only a guy very secure in his masculinity would ever say this: I have a weird fascination with romance novels. Maybe it’s because, being the sensitive sort, I’m somewhat interested in what women want, how they think, et cetera. Plus I can’t believe that women can get away with buying…
