This Week’s Day-by-Day Picks

Thursday, February 20 The films of Jay Rosenblatt tell epic tales in the time it takes Billy Mays to expound on the wonders of Orange Glo and Oxi Clean. It’s remarkable in itself that in one to 20 minutes, Rosenblatt can explore the boring lives behind the most evil of…

Sand Through an Hourglass

Thanks to the fickleness of pop culture, the French writer Aurore Dupin (1804-1876), a.k.a. George Sand, may well be better known for her relationship to Frederic Chopin than for her novels or her other romances or her generally bold life. Back in 1991, James Lapine’s Impromptu focused on the Sand-Chopin…

Secret No More

It begins in an almost playful mood. In a gallery of ancient art, a handsome, well-dressed man (Andrea Renzi) begins to make a pass at an equally attractive woman (Margherita Buy), who slyly rebuffs him. As we quickly learn, they’re actually husband and wife. Then, just as quickly, the direction…

You, Me, Him

His is an estimable and enviable filmography–not a bad movie to be found, if you’re willing to overlook Patch Adams, Twister and a few smaller offerings no one saw anyway. But even in the worst of films, and even in drag opposite Robert De Niro, Philip Seymour Hoffman keeps intact…

Bloody Hell

The fanboy suckled at the teat of comic-book writer-artist Frank Miller, circa 1980-81, will be satisfied, for the most part, with this cinematic Daredevil; if nothing else, the thing’s got enough Marvel Comics in-jokes to amuse ’em down at the comics shop for ages, or at least till Hulk smashes…

Supreme Fare

Everybody sings up a storm in Dreamgirls, the nostalgic backstage musical about a stormy Motown girl group torn asunder by ambition and clashing personalities. In the nifty staging by Dallas’ TFM Productions at the Trinity River Arts Center, everybody in the large cast sings great, which is a huge relief…

The Curse of Second-best

The exhibition Modigliani and the Artists of Montparnasse, now on view at the Kimbell Art Museum, aims big. Consisting of only 38 paintings, 14 works on paper and a handful of stone heads by Modigliani, this little exhibition nevertheless tackles not one, but two large subjects. First, it attempts to…

The Bleeding Edge

It was supposed to be make-believe, a disturbing but ultimately uplifting work of science-fiction from a celebrated author of grim futurama and glorious fantasy. The subject matter of Orbiter, a hardback graphic novel about a spaceship that disappears for years and returns sheathed in skin after visits to faraway places…

Them Demolition Ball Blues

It’s no slight to Robert Mugge, a longtime maker of blues-tinged documentaries, to suggest his latest offering is a bit slight. Mugge, responsible for such important documents as Deep Blues and Hellhound on My Trail, simply couldn’t help it, as most of the juke joints–shacks in the middle of cotton…

Angelfood Beefcake

If you are a fan of Buffy the Vampire Slayer or its spin-off Angel, then you no doubt understand why a soon-to-be-41-year-old man has a Buffy poster hanging in his laundry room and a Buffy calendar on his office wall. And to you non-fans out there, let me just say…

This Week’s Day-by-Day Picks

Thursday, February 13 Five years ago, playwright Eve Ensler started hosting performances of her The Vagina Monologues to raise money and awareness about rape, domestic abuse and genital mutilation, renaming Valentine’s Day as V-Day and giving it a whole new focus. This year several colleges are continuing the tradition. Southern…

Quiet Strength

While virtually no one in this country foresaw the American disaster in Vietnam, the late British writer Graham Greene glimpsed it with astonishing clarity a decade before the first U.S. “adviser” set foot on Vietnamese soil. Greene’s 1955 novel The Quiet American, which has now been made into a disturbing…

Anarchy in the U.K.

If nothing else, because there’s nothing else to this movie, Shanghai Knights allows Jackie Chan, he of halting dialogue and poetic movement, to pay direct homage to his idols. He hangs from the arms of Big Ben, dangling off the stories-tall clock like Harold Lloyd in 1923’s Safety First; he…

Hudson Hawked

Astaire & Rogers. Hepburn & Tracy. Heck, Ball & Arnaz, Houston & Washington or Vardalos & Corbett. Over the decades, Hollywood has proven that its romantic comedies needn’t suck. But alas, they often do, as is the case with How to Lose a Guy in 10 Days. Clearly, bigwig co-producers…

See No Eva

Director Gary Hardwick’s first film, The Brothers, was a refreshing take on the single black man romantic comedy, offering a surprisingly mature perspective full of depth and well-rounded characters without resorting to the time-honored stereotypes of black man as player and black woman as ball-busting bitch. Hardwick wrote the script…

The Pain Train

Rawson Thurber has been so busy the past few days that by the time he finally returns a reporter’s phone call, he does so at 1:30 in the morning–and he doesn’t even realize the late, or early, hour till he hears the groggy croak on the other end. He’s sorry…

Fission Trip

This is a glowing review for a play about plutonium. For three hours in Michael Frayn’s fact-based Copenhagen, nearly perfect in the impressive production at Theatre Three, two brilliant World War II-era scientists discuss the splitting of the atom and the scary prospects of nuclear Armageddon. They talk quantum ethics,…

Forkin’ Around

One of our more humiliating childhood moments was having to run laps around the camp mess hall after committing the faux pas of putting our elbows on the table during a sloppy joe feast. The term “mess hall” doesn’t necessarily equate with “bastion of fine dining,” but at least there…

Q: “Why Does Hitler Have an Attitude?”

It was not among the Christmas care packages Miramax sent to critics compiling Top 10 lists and Academy Award voters filling out ballots; it was Miramax boss Harvey Weinstein’s bastard child, no beloved prodigal son like Chicago or Gangs of New York or even Comedian and Tadpole, copies of which…

Twisted Logic

Director Roger Donaldson was part of a wave of Australian talent who went Hollywood in the ’80s, but he hasn’t fared as well here as colleagues like Peter Weir, Phillip Noyce and George Miller. His biggest hit was probably Cocktail, and his best American film was either Species or No…

Blowin’ Smoke

First off, make no mistake: Biker Boyz is not, and has no intentions of being, The Fast and the Furious on two wheels, which will be considered a serious shame by the 12- to 12-year-old demographic who were hoping to chug a little more Diesel fuel till the official sequel’s…

Cosmic Debris

There are enough good scenes within the 94 minutes of The Guru to make an entertaining coming-attractions trailer. Wait, that’s unfair. Such previews are only one minute long. It’s simplistic and snarky to say there are only 60 seconds of fun to be found in this “Bollywood-meets-Hollywood” romantic comedy. I’m…