Best Films of 2011: Why You’ve Never Heard of Margaret

Margaret, written and directed by Kenneth Lonergan (You Can Count on Me), starring Anna Paquin with key supporting performances from Matt Damon and Mark Ruffalo, is the best film of 2011. Chances are very, very good that you haven’t seen it — or were even aware that it was something…

Hugo: Scorsese Milks the 3-D Trend for a Cause

Martin Scorsese’s first foray into big-budget family filmmaking — as well as his inaugural effort in 3-D — Hugo is a personal statement disguised as a sellout. Based on Brian Selznick’s 2007 illustrated kids’ book The Invention of Hugo Cabret, Hugo centers on its title character, played by Asa Butterfield,…

The Skin I Live In: Really Extreme Makeover

The morality of the mad-scientist tale has remained more or less fixed since the beginning of sound cinema: From Dr. Frankenstein’s hubristic claim to “know what it feels like to be God,” to Jurassic Park’s criticism of “scientists [who] were so preoccupied with whether they could that they didn’t stop…

Footloose: Still In Step

In hindsight, the 1984 hit Footloose can be seen as the link between the old Hollywood model of a let’s-put-on-a-show musical, based on original songs brought to life in elaborate choreographed numbers, and the later Hollywood model of youth films, perfected in the ’80s by John Hughes and terminally calcified…

Ides of March: No Game Change

A procedural on the political manipulation of medium and message, George Clooney’s fourth directorial effort is bookended with scenes of media-op prepping. In the first, Stephen Myers (Ryan Gosling), a 30-year-old campaign adviser to Democratic presidential candidate Mike Morris (Clooney), fills in for his boss at the sound check for…

Brighton Rock: Cruel Obsession

In Brighton Rock, Rowan Joffe’s adaptation of Graham Greene’s 1938 novel, Sam Riley plays Pinkie, a baby-faced junior thug who takes advantage of his mentor’s murder to catapult himself to the top of their two-bit gang. An obstacle to his criminal dominance is Rose (Andrea Riseborough), a teenage waitress who…

Contagion: Time for Widespread Panic

Currently the fifth-to-last film on Steven Soderbergh’s ever-expanding pre-retirement slate, Contagion opens on day two of a global viral epidemic. Gwyneth Paltrow plays Beth Emhoff, an American employee for an ominously unspecific multinational corporation who returns from a business trip in Hong Kong to her wintry Midwestern home feeling like…

Our Idiot Brother: The Littlest Lebowski

In Jesse Peretz’s Our Idiot Brother, Paul Rudd plays Ned, a kind of Upstate New York version of “The Dude” Lebowski — a man out of time, blinkered enough to be living the hippie dream. In the film’s first scene, Ned is “entrapped” into selling pot at a farmers’ market…

One Day: Fated Attraction

Directed by Danish filmmaker Lone Scherfig from a screenplay by David Nicholls, based on his novel, One Day stars Anne Hathaway as Emma, a too-serious would-be writer in Coke-bottle glasses and combat boots. She’s nursing a crush on Dexter (Jim Sturgess), her too-good-looking rich-boy college classmate. She’s earnest, tenacious and…

The Help: Mean Girls Vs. the Maids

More than just the Hollywood It Girl of the moment, Emma Stone is a real actress, and in The Help, she gets an ostentatious, Oscar-baiting Big Scene in which to prove it. Stone doesn’t need this kind of relic of old-school Hollywood to show off her chops. But this is…

Another Earth: Same Crap

There may be nothing as Old Hollywood as the narrative about a pretty girl summoning up a dose of pluck to triumph over adversity. And yet Brit Marling — the lithe, stunning co-writer and star of 2011 Sundance Film Festival hits Another Earth and Sound of My Voice, who gives…

The Change-Up Misses the Plate

A uniquely Freudian entry in the body-switching comedy canon, The Change-Up stars Jason Bateman as standard-issue anal-retentive lawyer/family man Dave, and Ryan Reynolds as Dave’s classically anal-expulsive stoner/playboy childhood friend Mitch. When sober, Dave begrudgingly tolerates Mitch’s wild-animal routine. One night, when both are drunk, Dave admits he’s secretly jealous…

Crazy, Stupid, Love: Not Crazy Enough

In the first scene of Crazy, Stupid, Love, Emily (Julianne Moore) tells Cal (Steve Carell), her high school sweetheart and husband of 20-plus years, that she wants a divorce. She goes on to mention that she had an affair with a co-worker named Dave Lindhagen (Kevin Bacon), at which point…

Snow Flower and the Secret Fan

In Snow Flower and the Secret Fan, Nina (Li Bingbing) is a Shanghai career girl who drops plans to move to New York when she learns her estranged bestie, Sophie (Gianna Jun), is in a coma. Soon Nina discovers the manuscript of a novel that Sophie had been writing, which…

Captain America Ignores its Roots for Easy Money

Created by Joe Simon and Jack Kirby for Marvel Comics in 1941, Captain America was among the first American comic books intended as an explicit work of patriotic, political propaganda: The cover of the first edition, available months before Pearl Harbor, famously featured the titular costume hero punching out Adolf…

Horrible Bosses Sings the White Man’s Lament

There’s a scene in Horrible Bosses in which Jennifer Aniston, playing a dentist who habitually sexually harasses her weakling male hygienist (Charlie Day), repeatedly says the word “pussy.” Her character is trying to intimidate his, while the filmmakers attempt to shock the audience with the spectacle of this lady rom-com…

Conan O’Brien Can’t Stop: Try Harder

“I am angry,” Conan O’Brien admits in Rodman Flender’s tour doc Conan O’Brien Can’t Stop. “I’m trying not to be…but sometimes I’m so mad I can’t even breathe.” Prohibited from appearing on television for six months after his early 2010 break with NBC, Conan hit the road, capitalizing on his…

Bad Teacher and the Downside of Equal Rights in Hollywood

From Tad Friend’s New Yorker profile of Anna Faris (which Jezebel.com reblogged under the headline “Hollywood Insiders Admit Hollywood Hates Women”) to the glass-ceiling-shattering pressure assigned to last month’s Bridesmaids (which has thus far outgrossed every previous Judd Apatow project since Knocked Up), a case could be made that 2011…

Green Lantern: Pretty Dim

It’s 10 minutes before a human character appears on-screen in Green Lantern, a personality-free franchise-launcher that builds toward a quaint, if explosive, argument in favor of the nebulous quality of “humanity.” Via a heavily CGI’d prologue, we learn the universe is patrolled by a group of fearless, multispecies warriors called…

Midnight in Paris: Nothing Gold Can Stay

A nebbishy screenwriter who longs to publish a novel, Gil (Owen Wilson) is tentatively working on a book set in a nostalgia shop—much to the open frustration of Inez (Rachel McAdams), his all-too-modern rich-girl fiancée, who has a tendency to talk about him in catty, judgey tones as if he’s…

L’amour Fou: A Fashionable Life

L’amour fou opens with unbroken footage from designer Yves Saint-Laurent’s 2002 speech announcing his retirement from fashion, after 40-plus years at the helm of the massively important label bearing his name. It’s a stunning performance, flowing from naked confessional (“I have known the false friends of tranquilizers…and emerged dazzled but…

Bridesmaids: Still a Man’s World

Bridesmaids is a high-profile test case. Directed by Paul Feig (a sitcom journeyman most lovingly known as the creator of Freaks and Geeks), it’s the first female-fronted comedy produced by Hollywood kingpin Judd Apatow, who has weathered criticism in the past for his brand’s dude-centric point of view. It’s also…