Gimme Moor

Sex, racism, dirty politics, spousal abuse — Shakepeare’s The Tragedy of Othello, the Moor of Venice is so full of juicy double-dealing, behind-the-back gossiping and physical violence, it could get its own reality show. It’s one of the Bard’s best, with a beaut of a plot about a white lady,…

DTC Postpones New Dracula for Neil Simon Comedy

We’re beginning to suspect that Dallas Theater Center’s Kevin Moriarty has a secret plan to stage all the plays that put our teeth on edge. Besides all the Shakespeare he loves doing (they have King Lear coming up at DTC this season), he added Joseph and the Amazing Technicolor Dreamcoat…

Knock, Knock. Who’s There? Irma Vep.

One dark and stormy night, Lady Enid arrives at a spooky old estate with her new husband. But the ghost of his first wife haunts the place (shades of DuMaurier’s Rebecca) and a portrait over the mansion’s fireplace seems to hold the answers to “Why?” Camp classic The Mystery of…

Armed and Loquacious

Is that a handgun that I see before me? It is. In Shakespeare Dallas’ just-opened production of Macbeth, the Scottish and Norwegian troops wear modern camo and fire pistols and automatic weapons. Not as visually graceful as clanging swords perhaps, but going bang-bang sure could shorten the battle scenes. If…

Open Wide For Party Mouth

It’s 1968 and a couple of bored girls from Mesquite venture into Big D to find some thrills in Party Mouth, the latest new play from avant garde actor, playwright and director Matthew Posey, founder of the Ochre House Theater near Fair Park. Elizabeth Evans plays “Baby Doll” and Natalie…

The World Is A Stage, In Spanish

In the Latino Cultural Center’s three-day one-act play festival, a trio of theater companies present pieces telling stories from the perspective of women. Opening night Thursday features Cara Mía Theatre Company’s workshop of The Dreamers Trilogy — Part 1, a new play written by Cara Mía’s artistic ensemble, directed by…

Titles and Tiaras

Honey Boo Boo, reality TV’s hillbilly kiddie diva, has nothing on Puddles Johnson, a tiny titan in the world of glitzy tots with fake tans and snap-in flipper teeth. As Puddles and her adorable rival, Chevrolet Corningfield, battle it out to become “Miss Alabama Haystack” and “Miss Texas Twinkle,” their…

We Hear It Kilt, Live

Something wicked this way comes in Shakespeare Dallas’ fall production of Macbeth, directed by Stefan Novinski with an all-local cast. Let’s hope it’s not the weather. Cool breezes would complement the Bard’s short but hot-tempered drama about unbridled ambitions. Brave Macbeth murders his way to the throne of Scotland at…

They Still Shoot Puppets, Don’t They?

The national tour of the Tony-winning drama War Horse is at the Winspear right now, with double matinees on its two Sundays. Based on the 1982 children’s book by Michael Morpurgo, the play tells the story of Joey, a farm horse sold into the British cavalry in WWI and shipped…

My Oh Yes

It gives us pleasure to confess that Frank Loesser’s snappy show tune “Big D” (little-A, double-L-A-S) helps spell success for two productions that just opened in local theaters. The song is a by-god, knee-slapping showstopper as performed by Catherine Carpenter Cox and Alex Organ in the second act of Lyric…

Stage West’s Around the World in 80 Days is an Amazing Race

What a trip! Stage West’s production of Around the World in 80 Days is featherweight comedy that floats along nicely, thanks to the steady breeze stirred by the constant motion of its five hard-charging actors. Director Jerry Russell keeps the pace frantic throughout this immensely amusing farce, lest we notice…