Snow Patrol

These scruffy Scottish lads understand that the gentle, Belle & Sebastian-like folk-pop on their first two albums tends to be a bigger hit with critics than with folks who actually purchase CDs at record stores. So for Final Straw, their hit-at-home third, they've muscled up their sound so it lands...
Carbonatix Pre-Player Loader

Audio By Carbonatix

These scruffy Scottish lads understand that the gentle, Belle & Sebastian-like folk-pop on their first two albums tends to be a bigger hit with critics than with folks who actually purchase CDs at record stores. So for Final Straw, their hit-at-home third, they’ve muscled up their sound so it lands squarely in the crowded post-Radiohead field most Americans have explored through the gateway drug known as Coldplay. Fans addicted to that band’s bombastic, heartfelt anthems will certainly get a kick out of Snow Patrol’s “Run,” a self-conscious epic of chiming guitars, hand-wringing strings and front man Gary Lightbody’s soul-cleansing croon: “To think I might not see those eyes,” he sings as a rush of blood goes to his head, “makes it so hard not to cry.” “Run” is the obvious six-minute centerpiece, but the remainder of the solid, painterly Final Straw is of a piece: the chugging guitars that ramp up into the chorus of opener “How to Be Dead,” the nifty falsetto ooohs at the top of “Spitting Games,” “Chocolate”‘s delicate glockenspiel tinkles. A&M’s bio trumpets a reaction to Iraq; more likely, Lightbody just wants his band’s rightful spot on The O.C.

When news happens, Dallas Observer is there —
Your support strengthens our coverage.

We’re aiming to raise $30,000 by December 31, so we can continue covering what matters most to you. If the Dallas Observer matters to you, please take action and contribute today, so when news happens, our reporters can be there.

$30,000

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...